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<channel>
	<title>lorena mostajo</title>
	<link>https://lorenamostajo.com</link>
	<description>lorena mostajo</description>
	<pubDate>Tue, 31 May 2022 06:56:12 +0000</pubDate>
	<generator>https://lorenamostajo.com</generator>
	<language>en</language>
	
		
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		<title>01</title>
				
		<link>https://lorenamostajo.com/01</link>

		<pubDate>Sun, 29 May 2022 23:14:37 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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&#60;img width="576" height="864" width_o="576" height_o="864" data-src="https://freight.cargo.site/t/original/i/a4345790bbad75509aa9a534326dd659b1cb184ca8128c6da98d81d7ee6dafe4/viejito_low.jpg" data-mid="144009527" border="0"  src="https://freight.cargo.site/w/576/i/a4345790bbad75509aa9a534326dd659b1cb184ca8128c6da98d81d7ee6dafe4/viejito_low.jpg" /&#62;
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Curios 
2020-ongoing
Curios is a collection of images of hand-crafted objects that circulate in the mercado de artesanías (crafts market) in Tijuana. The souvenirs featured in the images belong to a tradition of handcrafts that has morphed to satisfy the taste and obsessions of national and international tourists at the Tijuana-San Diego border. These markets are also called curios shops. The word ‘curios’ is short for ‘curiosities’ or curiosidades in Spanish, or it can stand for curiosos, those who venture into someone else’s space.&#38;nbsp;


	

The objects in the photographs were purchased in different mercados de artesanías in Tijuana. Some items are incomplete, missing details and final touches, while others are finished or invented; some have been produced in the local market, and others come from the south of Mexico—perhaps even from China. These souvenirs—which are displayed as commercial objects, with some of the elements of catalog photography—are in dialogue with a group of images taken by U.S. photographers Adelbert Bartlett (1877-1966) and Harry Crosby’s (1926-) in Tijuana and California during the 1930s and 40s.&#38;nbsp; 




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		<title>02</title>
				
		<link>https://lorenamostajo.com/02</link>

		<pubDate>Sun, 29 May 2022 23:14:38 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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		<description>&#38;nbsp; &#38;nbsp;&#60;img width="1209" height="529" width_o="1209" height_o="529" data-src="https://freight.cargo.site/t/original/i/733e2767bdff6c850eb20c72572d0eebce30e134b3cd211dffe82da1f88ed2d2/sunset_type2.jpg" data-mid="144014585" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/733e2767bdff6c850eb20c72572d0eebce30e134b3cd211dffe82da1f88ed2d2/sunset_type2.jpg" /&#62;



	
Sunset &#124; Atardecer
2019

Photobook
Intervened found images&#38;nbsp;Riso and screen printing


	











By intervening these images, I want to make evident the ways in which a group of tourist photographic postcards show eerie and enigmatic narratives about gender, class, race, and nationality. 







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&#60;img width="1209" height="529" width_o="1209" height_o="529" data-src="https://freight.cargo.site/t/original/i/adf1a7feda6056a57c1cda380bca553af68696ff5843d16f25d690afd7c46073/sunset_type4.jpg" data-mid="144014588" border="0"  src="https://freight.cargo.site/w/1000/i/adf1a7feda6056a57c1cda380bca553af68696ff5843d16f25d690afd7c46073/sunset_type4.jpg" /&#62;
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	<item>
		<title>03</title>
				
		<link>https://lorenamostajo.com/03</link>

		<pubDate>Sun, 29 May 2022 23:14:38 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

		<guid isPermaLink="true">https://lorenamostajo.com/03</guid>

		<description>
	
	
	

	El Alto 2018-ongoing
El Alto and La Paz are two adjacent Bolivian cities located in the Altiplano highlands. Together they form an important metropolitan area. El Alto is a young city inhabited by migrant campesinos and mineros from different regions of Bolivia. The majority of my maternal family comes from Bolivia. This project is the beginning of an in-depth exploration about the ways in which migration, indigeneity, and tourism intersect with personal and political histories.
 



	



&#60;img width="1037" height="691" width_o="1037" height_o="691" data-src="https://freight.cargo.site/t/original/i/128dd3bbbea7d4c61957d6baf93f92c4e39bc34557fb3d565b6c6a882f482a7a/El_alto-15.jpg" data-mid="144015014" border="0"  src="https://freight.cargo.site/w/1000/i/128dd3bbbea7d4c61957d6baf93f92c4e39bc34557fb3d565b6c6a882f482a7a/El_alto-15.jpg" /&#62;
&#60;img width="1037" height="691" width_o="1037" height_o="691" data-src="https://freight.cargo.site/t/original/i/baeac20e3346f089fb28a94eb9aaaf7e163691d1def50883489d555c18401f83/El_alto-11.jpg" data-mid="144015010" border="0"  src="https://freight.cargo.site/w/1000/i/baeac20e3346f089fb28a94eb9aaaf7e163691d1def50883489d555c18401f83/El_alto-11.jpg" /&#62;
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&#60;img width="691" height="1037" width_o="691" height_o="1037" data-src="https://freight.cargo.site/t/original/i/b10f2e0bd9e30ed2cb44f6b234afad5c081f407607283ff02c7ca9f4736af091/El_alto-28.jpg" data-mid="144015028" border="0"  src="https://freight.cargo.site/w/691/i/b10f2e0bd9e30ed2cb44f6b234afad5c081f407607283ff02c7ca9f4736af091/El_alto-28.jpg" /&#62;
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&#60;img width="1037" height="691" width_o="1037" height_o="691" data-src="https://freight.cargo.site/t/original/i/5c5940ea8cd775e5f5379db5c41e50c44c9cdc3b64b7b735ee8541871db763ba/El_alto-20.jpg" data-mid="144015019" border="0"  src="https://freight.cargo.site/w/1000/i/5c5940ea8cd775e5f5379db5c41e50c44c9cdc3b64b7b735ee8541871db763ba/El_alto-20.jpg" /&#62;






	
	
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	<item>
		<title>04</title>
				
		<link>https://lorenamostajo.com/04</link>

		<pubDate>Mon, 30 May 2022 06:49:43 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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&#38;nbsp;&#60;img width="2580" height="1714" width_o="2580" height_o="1714" data-src="https://freight.cargo.site/t/original/i/d1723415ab4167e3deae87d64e5f46846dda5bc64d52402ae2b9d746fa30c37c/woman_text.png" data-mid="144016108" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/d1723415ab4167e3deae87d64e5f46846dda5bc64d52402ae2b9d746fa30c37c/woman_text.png" /&#62;


	Woman&#38;nbsp;
2016Installation
Yellow wool thread and transparent nylon thread



	
Loosely echoing the ways in which the quipu (khipu)--an Inca object and method to record and disseminate information using thread and knots--I “wrote” the word woman in different parks and public spaces. &#38;nbsp;


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		<title>05</title>
				
		<link>https://lorenamostajo.com/05</link>

		<pubDate>Mon, 30 May 2022 06:53:37 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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&#60;img width="5470" height="5478" width_o="5470" height_o="5478" data-src="https://freight.cargo.site/t/original/i/e2be885cd59e982be6b26e1506d560bce6fd054d6e7cc24fdfea2dd2275d22c5/perrogoya.jpg" data-mid="144016373" border="0"  src="https://freight.cargo.site/w/1000/i/e2be885cd59e982be6b26e1506d560bce6fd054d6e7cc24fdfea2dd2275d22c5/perrogoya.jpg" /&#62;
&#60;img width="2290" height="2290" width_o="2290" height_o="2290" data-src="https://freight.cargo.site/t/original/i/ab4474666239b1f520b3ffac6fb84dd18c0df70cd85790e7b4e9a7dfcf0ca6a3/us_gover.png" data-mid="144025545" border="0"  src="https://freight.cargo.site/w/1000/i/ab4474666239b1f520b3ffac6fb84dd18c0df70cd85790e7b4e9a7dfcf0ca6a3/us_gover.png" /&#62;



	Aleatory Sculptures&#38;nbsp;2010-2015
	



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		<title>06</title>
				
		<link>https://lorenamostajo.com/06</link>

		<pubDate>Mon, 30 May 2022 20:09:39 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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&#60;img width="3300" height="2181" width_o="3300" height_o="2181" data-src="https://freight.cargo.site/t/original/i/53a95c8315c2c0163f91eeb3a621904193782fe670714e57eecb67961ce00e0c/chavezbaja20.jpg" data-mid="144088304" border="0"  src="https://freight.cargo.site/w/1000/i/53a95c8315c2c0163f91eeb3a621904193782fe670714e57eecb67961ce00e0c/chavezbaja20.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/16c966780e44927b619969cb01e73892ef0d66002afad851785496a743af8198/chavezbaja26.jpg" data-mid="144089553" border="0"  src="https://freight.cargo.site/w/1000/i/16c966780e44927b619969cb01e73892ef0d66002afad851785496a743af8198/chavezbaja26.jpg" /&#62;
&#60;img width="3300" height="2200" width_o="3300" height_o="2200" data-src="https://freight.cargo.site/t/original/i/a954d08ade28dbd4f54c2774785fec024eb829c6c88ea7068ffd0c8a5835d50d/chavezbaja9.jpg" data-mid="144088222" border="0"  src="https://freight.cargo.site/w/1000/i/a954d08ade28dbd4f54c2774785fec024eb829c6c88ea7068ffd0c8a5835d50d/chavezbaja9.jpg" /&#62;
&#60;img width="1794" height="1194" width_o="1794" height_o="1194" data-src="https://freight.cargo.site/t/original/i/cbe102e75c0fc352e73b7d0df8670dd2f9c5cf0ad1a86a4b3ed8b10e2263658c/chavez_stadium.png" data-mid="144215329" border="0"  src="https://freight.cargo.site/w/1000/i/cbe102e75c0fc352e73b7d0df8670dd2f9c5cf0ad1a86a4b3ed8b10e2263658c/chavez_stadium.png" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/0f70bc9646b42399059c6b3e9b1f31840a35aebf4a52e54edc40e90b41e87165/chavezbaja1.jpg" data-mid="144088158" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/0f70bc9646b42399059c6b3e9b1f31840a35aebf4a52e54edc40e90b41e87165/chavezbaja1.jpg" /&#62;


	Photo editorial work for Tierra Adentro&#38;nbsp;(selection)
Some of these images accompanied an essay by Saúl Hernández-Vargas, “Chávez Ravine. Cielo despejado sobre el estadio de los Dodgers”, Tierra Adentro, no. 202 (printed version).&#38;nbsp;
Algunas de estas imágenes acompañaron el artículo de Saúl Hernández-Vargas, “Chávez Ravine. Cielo despejado sobre el estadio de los Dodgers” publicado en Tierra Adentro, no. 202 (versión impresa).&#38;nbsp;

	



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		<title>Front page</title>
				
		<link>https://lorenamostajo.com/Front-page</link>

		<pubDate>Sun, 29 May 2022 23:14:38 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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&#60;img width="769" height="542" width_o="769" height_o="542" data-src="https://freight.cargo.site/t/original/i/47ffd17bf59b16be17d29710ad6af6a73e1d46ac54451247fc69d7e90385fa87/comienzo.png" data-mid="144213426" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/769/i/47ffd17bf59b16be17d29710ad6af6a73e1d46ac54451247fc69d7e90385fa87/comienzo.png" /&#62;

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		<title>cv</title>
				
		<link>https://lorenamostajo.com/cv</link>

		<pubDate>Sun, 29 May 2022 23:14:39 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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EDUCATION Master in Fine Arts (Photography) at The School of the Art Institute of Chicago, 2010.Bachelor of Arts in Hispanic American Literature at the Universidad Nacional Autónoma de México (National Autonomous University of Mexico), Mexico City, 2006.EXHIBITIONS SD Practice, Bread &#38;amp; Salt, San Diego, California, 2021.Magnetic Currents, The Front, San Ysidro, California, 2021.Magnetic Currents, Cal State Channel Islands, California, 2020.Lecturas del desconcierto, Galería de la Universidad Autónoma de México, Mexico City, 2016.Holidays in Greece, STUDIOvisits, Berlin, Germany, 2012. This Old House, Alpine, California, 2011.&#38;nbsp; &#38;nbsp;Final Statement, MFA Show, The School of the Art Institute of Chicago, 2010.Creación en movimiento, Galería de la Biblioteca José Vasconcelos, Mexico City, 2010.Live Feed (with Michal Angel and Nate Chung), Residents Project, Chicago, 2010. The Embedded Flaw, Rymer Gallery, Chicago, 2009.The Water Front, Bridge Art Fair, New York, 2008.Generación, Museo Nacional de Arte, San Luis Potosí, Mexico, 2007.Blanco, Universidad Panamericana, Mexico City (Solo), 2006. Acto, Casa del Teatro, Mexico City (Solo), 2004.Index, Universidad Iberoamericana, Mexico City, 2003.Animal Humano, Galería SR-30, Mexico City, 2002.TALKS“Photographers working between U.S and Mexico: Yvonne Venegas, Ana Andrade and Arlene Mejorado,” SITAC 2022, Mexico City (March 2022). “Libros experimentales,” Creative Mornings Tijuana (October, 2021)“A Conversation with Carolina Caycedo, Carla Acevedo Yates, and Lorena Mostajo, moderated by gloria galvez”; Printed Matter Virtual Art Book Fair (January, 2021).Artist talk at The Front Gallery (January, 2021).“Zine making and Teen Angels” Cal State University-Channel Islands (February, 2020).“Riso-Literature”, University of Houston (October, 2017).“Abstraction and Appropriation in Contemporary Photography” MOPA SD (December, 2017).“Printing Worlds” presented at New Writing Series, UCSD (January, 2016).GRANTS &#38;amp; RECOGNITIONSFinalist at SAIC for the Emergent Artist Prize, Edes Foundation, Chicago; 2010. National Fund for the Culture and the Arts, Abroad Studies Grant, Mexico; 2008-2010. Young Artists Fellowship, Fonca, National Fund for the Culture and the Arts, Mexico; 2006-2007.
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		<title>writing</title>
				
		<link>https://lorenamostajo.com/writing</link>

		<pubDate>Mon, 30 May 2022 10:19:20 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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PUBLISHED ARTICLES&#38;nbsp; (SELECTION)“Mary Helena Clark: el cine orféico,” Revista Código, no. 91, 2016.“Downtown San Diego”, Letras Libres [blog], October 23, 2015.“Un nuevo museo en la Alameda”, dF por Travesías, no. 40, 2006. “¿Fotografía y pintura: dos medios diferentes?”, El Ángel, Reforma, no. 575, June, 2005. “La experiencia estética”, El Ángel, Reforma, no. 568, April, 2005. “Nuevas propuestas de la fotografía digital”, El Ángel, no. 560, February, 2005. “Sombras fugitivas”, Luna Córnea, no. 28, 2004.“Lucha llanera”, Luna Córnea, no. 27, 2004.“El ABC de Héctor García”, Luna Córnea, no. 26, 2003.“Arte y electrónica”, La Tempestad, 2003.“De cómo una cafetera ocasionó la Babel de las intimidades”, Luna Córnea, no. 25, 2002.

“Redes. Las tribulaciones de Paul Strand”, Luna Córnea, no. 24, 2002.“Josef Koudelka. Retrospectiva”, La Tempestad, Sept.-Oct., 2002. Review of the book Fotoperiodismo in Hoja por Hoja, 2002.EDITED BOOKSChris Marker Inmemoria, eds. Mara Fortes and Lorena Gómez Mostajo (Ambulante Ediciones, 2013). Amos Vogel, El cine como arte subversivo, eds. Mara Fortes and Lorena Gómez Mostajo (Ambulante Ediciones-Secretaría de Cultura, 2016)
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	<item>
		<title>about</title>
				
		<link>https://lorenamostajo.com/about</link>

		<pubDate>Tue, 31 May 2022 06:56:12 +0000</pubDate>

		<dc:creator>lorena mostajo</dc:creator>

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Lorena Mostajo is an interdisciplinary artist living and working between the United States, México, and more recently, Bolivia. Her work focuses on the ways in which vernacular and historical photographs, national imaginaries, global and local economies, immigration, and tourism intersect. She is also interested in the ways in which photographic images create hybrid genres and languages with other disciplines. She earned an MFA in Photography from the School of the Art Institute of Chicago and a BA in Hispanic American Literature from the Universidad Nacional Autónoma de México. She is also the founder of Taller California, a micro press for artists and writers from the Tijuana-San Diego region. In addition to her artistic practice, she has written about photography and co-edited two books with Mara Fortes, one about Chris Marker and the first Spanish translation of Amos Vogel’s Film As a Subversive Art.&#38;nbsp;





	
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